The Dragon Hunt

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“Don’t expect to see any dragons in the wild,” Ahmed warned me. “It’s rare, very rare. But a bunch of them stalk the kitchen because they like the smell there. That’s your best chance for a picture.” (I wondered if the rangers ever fed them with a spare chicken bone or two to guarantee their presence for the passing cruise ship crowd, but if they did, it was taboo to talk about it.)

I embarked on this dragon hunt in the Komodo National Park off Flores Island with realistic expectations, realizing that only a few thousand of the 8 foot long, venomous beasts still inhabit the wild, and it would be difficult to track them in nature, especially given my rapid schedule. It was already after 10 when I arrived on Rinca Island, and by that hour, I was told I only had time for a hike on the three hour long “Medium Trail” along a dry riverbed, despite my protests that I would have preferred the “Long Trail” along the cove. The weather was already scorching, and the odds of spotting the shy animals were especially low, as these were the hours when they usually hid. To make matters worse, the German couple who’d just completed the same trail saw nothing but the gaggle of fat dragons who hung out by the canteen. Still, the two were grateful for their adventure, especially since one of the dragons had a bloody mouth and they could conjecture animatedly about whom he’d eaten, or who’d eaten him. (Nature is full of blood when you think about it, but it’s a rare sight on a hike because Nature is also vampiric, and fast.) Nearby, uncomfortably close to the scullery dragons, a philosophical looking macaque sat on a gnarled trunk with his head in his hands.

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As soon as Ahmed and I left the kitchen area, we saw a baby dragon scurry down a tree. My guide conceded that this was a lucky start to our hike—it was “rare, very rare” to see little dragons, since babies, abandoned by their mothers before hatching, are cannibalized by their elders and can only hope to survive by hiding in the tall branches where the portly adults can’t climb. This was a juvenile small enough to still live in the trees but just large enough to begin exploring the forest floor. Imagine a combination of an oversized monitor lizard, a bullfrog, a turtle, and an alligator. Komodo dragons were only discovered by the West a century ago, and the animals are totally unthreatened by humans, freezing in perplexed surprise when caught in the open. The baby froze politely for a few moments before scampering away, demure but too inexperienced to be so for long.

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An hour and a half went by, and we saw nothing. I was ready for the hike to become a memory. We reached the heart of the forest and the site of a wadi. Suddenly the screams of a monkey wafted in the haze.

FG2A1316.JPGMy eyes climbed a tree and down again; at its base was a female dragon stalking the primate, who was altruistically warning its family to stay away. The dragon dominated the sandy path, and we ducked into the underbrush to avoid her. The sound of cracking reeds drew our attention to a couple of wild deer not far off from us. Then, we heard a song somewhere between a rattle and a hiss.

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“Dragons, dragons!” cried Ahmed. He tumbled through the forest with a kind of boyish glee that was proof to me of how special the moment was even for a native of Rinca. In a moment, there they were: a pair of gargantuan males eyeing each other suspiciously, one crouched beneath a tree trunk, and the other stretched out just meters away, motionless on our arrival like some ancient marble masterpiece depicting the monsters the Argonauts faced.

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“What is the most dragons you’ve ever seen in nature?” I asked.

“No more than four,” he said. “Rare, very rare!”

“Ahmed the dragon hunter,” I said.

Then we found one last dragon crouched beneath a tree, a young adult male, no longer in danger of the antlers of a buck or the tusks of some boar or his parents’ teeth, a newly christened apex predator, his only worry the fangs of rivals should he hazard attempts at romance. He seemed to be smiling to me.

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Putting My Whole Life on Instagram for a Year

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I’ve decided to document a year of my life on Instagram. After joining the platform a couple of weeks ago, it struck me that it had a great capacity for narrative storytelling that was seemingly underutilized by the majority of its patrons. Untold numbers of amazing photographers posted images of great beauty to the site, but there was scarcely ever a clear chronological narrative to anyone’s portfolio. I considered the fact that this was a shame; if art is an imitation of life, then a photo-journal of a whole year’s worth of experiences would seem to be a project well worth undertaking. At the same time, it seemed like a cool and interesting challenge to learn a new art form and craft what would essentially amount to a comic-book version of my daily adventures, for what they’re worth. And when the year was up, I figured that I would have constructed an incomparable monument to a little slice of my personal history to which I could return forever.

To be honest, by most accounts, my life these days is pretty boring. It involves teaching a class at Fairfield, composing a novel, blogging, and preparing my dissertation; the imaginary and historical worlds that I type about are much more interesting than the banal comings and goings of my reality as a writer. I’ve learned that the most beautiful frames of my existence can be manifested as a stream of selfies, snapshots of cats, portraits of food, images of the changing seasons, and various pictures of the people and architecture of New Haven. I’m sure talented photographers with more exciting existences than mine would be truly enthralling to follow, but to flatter myself, even in the case of my humdrum life and in the thematic shadow of my incompetence and inexperience as a cameraman armed with nothing but his iPhone, you can’t help but be at least somewhat interested by someone when you see the world through their eyes for a while, and learn to understand what they consider to be beautiful.

In many ways, Instagram is a perfect platform for a project like this—strangers meet there every day to laud each other’s photos in glowing terms, and it’s possible to build a large and enthusiastic audience of followers from around the world relatively quickly. At the same time, though, most Instagram users are on the hunt for rapid beauty and the swift consumption of photographs rather than the musings of a verbose stranger whose life they can study in detail. My captions are too long, and because I’m trying to utilize several photos a day to explain an unfolding narrative, not all of my pictures are as beautiful as they might be. I have likely alienated some of my friends on the site by my oversharing—I understand that they want to see pictures of Fiji and sundry cute things, and are not too interested in my eating Fruit Loops and heading off to the library.

Still, I persist. Since joining Instagram, my vantage point on mundane reality has been transformed. I’ve come to appreciate that all around me at any given time, there is a great deal of beauty and interest if I’m only alert enough to be sensitive to it. A butterfly or squirrel passing by can be interpreted as a game of tag; a long wait at a coffee shop can be seen as an opportunity to take a close look at the bouquet on the counter. I’m inspired to visit art galleries and parks and friends in other cities so that I can have more diverse photos on my account; incidentally, this also brings greater interest to my daily life. I suddenly have a reason to go to Mystic Seaport, and plan a trip to Newport.

At the same time, Instagram creates pressure on me to do my work, because I feel like I’m performing for an audience. My experiment has transformed what proved to be a terrible month into something a little bit more beautiful. Most of my friends have graduated, and I’m less well known on the debate circuit than I used to be; these days, when I announce a new blog post on Facebook, I’ll be lucky to receive one or two likes. But on Instagram, a cute picture of Mousepud is sure to get dozens of reactions. I don’t have many followers, but those who have stuck by my page seem sincerely supportive and friendly. In many ways, I now have a Greek chorus following me around all day. It’s extraordinary.

On the train to work today, I kept looking out the window trying to find things to shoot. Just after we left Bridgeport, I saw a herd of elephants. I couldn’t believe my eyes. There were five or six of them in what seemed to be a penned-in parking lot. We passed by so quickly, I didn’t have time to take a picture. Yet no one else seemed to see the elephants but me. Nobody was even looking. There was the difference.

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(My account name on Instagram is spqrkimel.)